Target group are probably museums, foundations, ect.Īfter what I have seen in the videos, the whole thing is also coupled to a camera from PhaseOne. Yes, I have left CaptureOne CH out of the equation for cost reasons. Nobody I know of would buy it for this purpose alone – it is directed mainly at institutions needing its broader productivity and precision imaging functions. Of course, on your last question, there is also Capture One Cultural Heritage Edition which does include a negative conversion function, but the cost of this software I understand is into the thousands of dollars. But if you (or others reading this) try this application and come up with good results on the first while-balancing attempt that would be good to know. For this to succeed those spots really need to be truly neutral, and you’d be surprised how difficult that is to find and how sensitive the results can be to sampling even small deviations from neutrality for purposes of white balancing. I read the documentation for converting negatives in Rawtherappee and discovered it has a potential deal-breaker: the need to select White Balance by sampling spots within the image. The only way to know whether it works for you is to test it. But it does have a following of users who like it very much. I also tried the ColorPerfect application and had trouble using it. The new workflow does not necessarily require rendering the raw files, is better integrated and therefore has fewer processing stages. It worked very well but it involves a number of processing stages and requires rendition of the raw files to a TIFF format. That process is described in my older Luminous-Landscape article linked at the start of the current article on this website. I previously used ColorPerfect’s MakeTiff utility in conjunction with SilverFast HDR 8 for inverting and adjusting colour negatives. Silverfast HDR Studio 9 (should the old DC Pro functions be integrated here for Camera RAW files, where I’m not sure yet)īut maybe there is one or the other software I don’t know yet, but would be worth to be investigated for such a workflow? So far, the following tools are in focus:ĬolorPerfect 2.0 with PerfectRAW(incl. Therefore, I have started to look at various tools, but have not yet come to a final solution for me. Users of other RAW converters face a problem here. If you use Negative Lab Pro under Adobe Lightroom you have a well integrated workflow. On top of that, I had to wait 5 months for the Canon RF 100mm Macro for my EOS R5, which has hardly been available. ![]() Besides that I use a Kaiser repro stand and different film holders and built a lightshaft so that I can also work with it during the daylight. In addition I had sold my Lumix S1R equipment with the Sigma 100mm Macro, with which I had made the first steps in terms of hardware setup. Since I sold my Nikon Coolscan ED9000 (in addition to an Epson V750 Pro, which I still have in use), the topic has also been driving me around for a while, but then came to a standstill for health reasons. An excellent report on the subject of CamScanning of film negatives, especially with regard to the hardware equipment, as well as the software Negative Lab Pro and the workflow.
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